Two brothers from Wales on a stag night return to a small village in Donegal where they spent a working holiday 16 years previously. There they bump in to an old flame and a series of mishaps and misunderstandings reignite old passions and throw their lives into confusion.

Repurposing the video game Sleeping Dogs (2012), IN THE LONG RUN//WE ARE ALL DEAD is a single-take experimental machinima that unfolds within the rain-soaked, neon-lit streets of a virtual Hong Kong. Operating within the aesthetics of neo-noir, the work constructs a relentless pursuit—an enigmatic chase where the identities of both the pursuer and the pursued remain ambiguous. Sirens wail, bullets ricochet, and rain distorts the cityscape, reinforcing the sense of perpetual movement and existential uncertainty. Who is the runner? What is the nature of their escape? Is there an endpoint, or is the pursuit itself the defining condition of this digital existence? Offering no resolution, the machinima foregrounds the mechanics of pursuit as a metaphor for the relentless temporality of virtual worlds and the cyclical nature of digital violence.

Anticipating eviction from her retirement home after the death of her son and sole provider, rebellious septuagenarian Émilie decides to take revenge on all those who have wronged her. During her journey of initiation, she cuts to the quick to right the wrongs and is joined by Linda, a cleaning lady with whom she has forged a close bond. She, too, has nothing left to lose and decides to wage war against those who have scorned her. Soon, these two companions are hunted down by a pair of policemen.

A mother-daughter relationship comes to an abrupt end when the mother one day tells that she no longer wants them to have contact. We follow them through what will be their last conversation.

A person finds a magical fish, wishes for "it all" and learns a lesson about when enough is enough.

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Patrick feels absolutely lonely when he decides to search for his supposable genitor after the suicide of his mother. He doesn’t have a plan, a goal or hopes. He just wants to meet the phantom that he thinks is the reason for his mother’s death.